![]() 3’s bittersweet finale set to Florence + The Machine’s “Dog Days Are Over,” Gunn puts a premium on cinematic personality through songs. Pound for pound, the Guardians trilogy is one of the best character-focused substories in the MCU - and that’s wholly thanks to freedoms that allowed Gunn to be himself with minimal interference.įrom Peter Quill’s thievery set to Redbone’s “Come and Get Your Love” at the beginning of the first Guardians of the Galaxy to Vol. Gunn injected every ounce of himself into the Guardians trilogy, from soundtrack to screenplay to Baby Groot’s motion capture, and found the best version of characters he emphatically adores, since each film allows a bit more of his background telling comically bleak stories into the DNA of the Guardians films. It’s the “Gunniest” Guardians of the Galaxy film (review) as the interstellar outfit sees Gunn’s trilogy come to a close, arguably the most individually-voiced Marvel film down to the universe’s first uncensored F-Bomb. 3 is a tailor-fitted exit for James Gunn from Marvel’s Cinematic Universe (should DC be his new forever home). ![]()
0 Comments
Leave a Reply. |